Jazz band is still a
new concept at my school. Currently the jazz band has full instrumentation for
the first time in its three year existence. It is made up of grades 6th
through 12th and we meet once a week after school. There are a few
creative activities that we already do, but there are also more that I would
like to try. For example, we begin every class by warming up with the B flat
blues scale. Since improvisation is such a foreign concept to them right now I
encourage students to find a new way for us to use the blues scale to warm up.
We begin by playing swung eighth notes with 4 counts for each note and continue
to reduce the amount of beats each note receives until we are playing one eighth
note per pitch. Next the students make suggestions to add some variety to the
scale. Previous suggestions have included playing it in “thirds”, were we play
the root followed by the 4th, then the flat third followed by the
sharp 4th, and so on. The only other creative activity that we do in
jazz band currently is improvising while trading two measure phrases using a
melodic line found somewhere in the piece. It is way too overwhelming to say “ok
student, improvise totally on your own for 12 bars.” By reducing it down to 2
measure phrases and requiring them to use previously learned material, the idea
of improvising seems much more attainable. Additionally, I encourage them to
repeat what I play that way they don’t feel the need to focus on the music as
much and begin to trust their ear.
A creative activity
that I think would strongly benefit several students in jazz band would be to transcribe
a short jazz solo. This would really get the students using their ears while
also learning new patterns or licks that sound good on their instruments. So
much of improvisation success comes from being properly trained and proper
training usually comes from a variety of activities. One last activity that I
would like to try with the jazz band students is for them to take a melody and
rewrite it by using the techniques of ornamentation and reinvention. This is a
pretty basic concept but one that I was recently retaught at our state’s music
educators conference in a session by Mike Steinel from North Texas. I plan to provide
students each a different 4 bar melody for them to rework twice; once with ornamentation
and once with reinvention. The following is a picture from the materials from
the conference session.
In 6th
grade beginning band I sometimes play the call and response game with the
class. I play a melody using the first 5 notes of concert B flat scale and they
repeat it back. It usually takes about 3 attempts before the majority of the
class feels comfortable with the melody. After the class is in a comfortable groove
I ask for student volunteers to make up a melody. Lastly, students in the
combined 7th and 8th grade band and in the high school
band like to “jam” on the piano. While one or two of them know enough about the
piano and the internet to be able to play something recognizable, most students
do not. To help guide the students I could teach them the most popular chord
progression in popular music (I, V, vi, vi) in the key of C. From there they
could learn how to transpose the chords to a desired key for a new song.
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