To teach the opening 16 measure of Beethoven’s
“Pathetique” sonata in a behaviorist/stimulus approach a teacher has to present
a stimulus. They could reward accurate playing with a reward (sticker, treat,
etc) or just with a smile and a compliment. This is a straightforward process
because the behavior is observable and easy to measure.
To teach the opening in a cognitivist/gestalt
approach the teacher is going to focus more on how the student is processing information
about the music. The teacher may spend
considerable time with the student detailing the purpose of various musical attributes
that Beethoven used. For example, the teacher may challenge the student to
determine the purpose of the decrescendo in the bass clef (in measures 6-7) a
measure before the treble clef is instructed to decrescendo. While the internal
change that happens during this approach is difficult to measure, it may
provide for a deeper attachment to the music for the student (compared to the behaviorist
approach).
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